Tag Archives: House Of Blues

90's, Acoustic, Cleveland, Folk, Live Shows, Music, Post-Hardcore, Punk, Review

Concert Review: Hot Water Music, Quicksand, Tim Barry | House of Blues | Cleveland, OH | 06/14/2024

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If someone were to ask me how old I was when I first got into Hot Water Music, I would tell you I have no idea because it feels like they have been with me for most of my life. The amount of times that band hits my ears is likely excessive, but if you are a fan, you totally understand why.

I was slightly thrown back when I learned earlier this year, they were playing Cleveland in celebration of being a band for 30 years. Three freaking decades of being one of the most prolific punk bands out there. Wild.

To make things even more amazing with their anniversary tour, they announced special guests Tim Barry and Quicksand would be playing Cleveland. There was no way in hell I was going to miss that. Thanks to an old pal, I even was able to snag a photo pass to make it even more memorable by capturing the night.

Seeing Hot Water Music, Quicksand, and Tim Barry on a Friday night in downtown Cleveland was the best way to start the weekend. Outside there were boomers rocking their Rolling Stones shirts a night early to the show they probably spent more than they should have and just tons of other people were enjoying their evening with food and music on Euclid and around E. 4th.

I can tell you through that they all missed out on the best time inside good ol’ House of Blues. The best part was that it was not overcrowded and there were people of all ages in attendance. Worst part was that there was one dude doing merch for all three bands – nice dude, but come on, nothing beats not waiting in line. Back in my day we cut people to get our merch because we had the cash ready… Ok, I am done being grandpa punk.

Tim Barry started the night off to a slew of adoring fans. Armed with his trusty guitar, he came out and did what he does best. I loved that he played “Dog Bumped” with fans singing along, but the best was “Fine Foods Market” when everyone shouting appropriately how fine they were. Storytelling folk punk rock doesn’t get much more entertaining than Barry. He had a great span of tracks from his solo career, but I personally would have loved to have heard more.

Did I wish I was seeing Avail? Well yes, but seeing Barry live is one of my favorite things as I adore this dude.

Now I have been a fan of Quicksand for a long time now, but never had the chance to see them play. Seeing them rip through songs like “Omission”, “Inversion” and “Brown Gargantuan” had me in pure awe. They sounded amazing and, for a brief moment while I was in the photo pit, I just stood there and stared almost forgetting what I was supposed to be doing there for the first three songs.

I love how happy Walter Schreifels and Sergio Vega were on stage. They were just getting into their songs and eating up the crowd’s reaction. They were certainly well-received by almost everyone there.

Walter, Alan, and Sergio had no problem delivering one hell of a set. I hope some of the younger generation at that venue who may had never heard of this post-hardcore band went home and did their homework. My only complaint is I wished they were able to play a proper set. I understand they were a special guest so their time was limited, but come on, it is freaking Quicksand. Hopefully they will come back again soon.

Chuck Ragan and the rest of Hot Water Music took stage just around 10p kicking things off with “Menace”, a new track off their latest release with Chris Cresswell helping with strong vocals.

I about lost my shit when they moved into “Remedy”, perhaps my all-time favorite Hot Water Music track. Once again, I may have froze in that photo pit for a moment as the 25-yeal-old me was freaking the hell out. Needless to say, I was loving every moment of that track.

One cool part of the night was when Ragan paused and offered thanks not only to his band and stagehands but also to the entire venue crediting it not possible to have lasted this long in the business without their help.

The band played “After the Impossible” after admitting they had not played it live yet. They all took a moment to look at one another and just tore into it. I am not sure about the rest of the folk in the house, but it sounded good.

A memorable part of the evening was when Ragan started talking about reaching out for help if you are in a dark place and admitted when he wrote the song he was about to play that he was in a very bad state of mind. He encouraged people to talk about it and not hold it in. Moments later he broke into “Drag My Boy” and I got chills.

I was thrilled they played “Trusty Chords” but it was their last song that just turned a great evening, into the perfect evening.

As they were thanking everyone for coming out, a stagehand ran out with a mic stand and picked up the mic that was on the ground. They broke into “Simple Song” with Tim Barry. I am fairly certain everyone in attendance sang along. I cannot tell you how thrilled I was to hear Barry sing that Avail song. Looked like I got some of that wish that I wanted.

No lie, this was one of the best nights of music I have had in a while. Three of my favorite bands playing their hearts out. It does not get much better than that.

Here are a few photos I was able to take. I love I get to do this. Enjoy.

Cleveland, Good Times, Live Shows, Music, Photography, Punk, Review, Rock, The Awesome

Concert Review: NOFX / Anti-Flag / Old Man Markley – House Of Blues – Cleveland, OH – 10/12/2011

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There is nothing punk rock about the House of Blues at all.  Sure they sell PBRs in those big cans, but it is not the typical place for punk rock bands to take over on any given evening.  That’s not to say punk bands have never played there before, I am just saying when I think of a punk rock show playing a club, it is not HoB.  Hell, there’s even a bathroom attendant who will hand you a paper towel after you just pissed away said PBR.  I will say that the HoB is a clean, organized venue, a venue that hosts some kick ass shows at that.

Wednesday evening was the perfect example of this as the the place was filled to the rim of punk rockers of all types thanks to the popular independent godfathers of punk rock NOFX bringing their Eastcoaster Tour to town with special guests Anti-Flag, Old Man Markley and The Bombpops.

Thanks to an accident on Euclid Ave., it took me a moment to get parked and into the nearly sold-out HoB show.  Apparently someone felt they were ok to cut off one of those giant RTA futuristic train-looking busses.  Needless to say, there were lots of flashing lights and Cleveland’s finest Fire, Police, and EMT cleaning up the mess.  Because of this, I missed the opening act The Bombpops.  From what I heard, their female driven pop punk rock was actually pretty enjoyable not to mention the two ladies in the band are beyond cute.  I will be checking them out soon.

Punk / bluegrass act Old Man Markley took to the stage just before 9 p.m. and showed Cleveland just exactly what they were all about.  Having never been to Cleveland before, the band gave it their all while performing tracks from their Fat Wreck Chords debut Guts n’ Teeth. With seven members on stage playing their version of “Newgrass”, they proved Cleveland that they were not copying the likes of Flogging Molly or Gogol Bordello.

John Carey and Annie DeTemple took turns signing a whole slew of songs including “Do Me Like You Do”, ” Guts n’ Teeth” and the ever catchy “For Better For Worse”.  The crowd clearly was loving what that heard and for the first time ever I witnessed a square-dancing circle pit .  Ryan “Old Man” Markley played the absolute shit out of his washboard and Katie Weed (swoon) just about sawed her fiddle in half.  Then there was Joey Garibaldi and his homemade washtub upright bass – impressive.  The band decided to close their set with their unique rendition of Screeching Weasel’s “Science Of Myth”.

To say I was entertained by the band was an understatement.  I have been wanting to see OMM live since I first heard about them a year ago and can not wait to see them again next month when they play an after show at Fun Fun Fun Fest in Austin.  This band performing live was right up my alley.  I see good things happening with them in the years to come.

Up next was Pittsburgh’s pop political punk rockers Anti-Flag (and clean cut too) who welcomed to the stage by cheers and boos.  Apparently some Browns fans just can not shake the fact that if a band hails from the rival team’s city that they suck too.  I might as well admit that I am not the biggest Anti-Flag fan, or shall I say I have not been the biggest of fans for a while now, but these guys killed it on stage.  Their stage performance was well-done and they had the crowd obeying every command.  Playing what seemed a ton of songs with a few from 2006’s For Blood And Empire including “The Press Corpse”, “This Is The End” and “1 Trillion Dollar$”, the band rocked out throughout their entire set and played like the rock stars they have become.

At times it appeared that Justin Sane and Chris Barker were trying to outdo one another with stage kicks and jumps (Barker actually jumped from atop the bass drum at one time), but it was all in good fun for the foursome.  Barker made the comment that the Cleveland stop was the “second best” show that he had played on the current tour and left it up to Cleveland to make it the absolute best by starting a giant circle pit.  I think Cleveland earned the title of best show after they were just running in circles.

It was no surprise to me that the band started preaching politics and many of the young ears listened.  Speaking of the whole Occupy Wall Street amongst other current political affairs, the bad knew what they were preaching and hopefully inspired one or two folk in the crowd to learn a little more about what goes on in this crazy country we live in.  I was more interested in the rock and not the talk so once they started playing again I started paying attention again and good thing I did as they performed a cover of “Should I Stay Or Should I Go?” and nailed it.

During the last song of their set there was some commotion on stage and suddenly Pat Thetic jumped in the crowd and was handed some of his drum set by Sane and Barker.  In a moment’s time, with help from the fans in the pit, Thetic assembled his set and started playing his drums with fans holding on to it preventing it from moving while the rest of the band played on.  I’m pretty sure they played “Power To The Peaceful” as the closer, but to be honest I was too busy jumping up on the barrier between the stage and crowd so I could take some pictures.  It was a pretty awesome site to witness.

Finally the band that everyone was waiting for all night was to take the stage.  The curtains rose and there was El Hefe standing there by himself admitting he had no idea where anyone else in the band was.  Smelly soon jumped behind his set and did not have a clue either where Fat Mike or Eric Melvin were.  11 minutes later the missing half stumbled onto the stage.  Fat Mike, sporting two drinks in hand, took a few moments to sip out of each cup and made faces that clearly proved whatever he was drinking could fuel a car.

Within the first two songs, the band signaled out a the-die wearing hippie dude in the crowd and started maxing fun of him.  The hippie dude took this opportunity to crowd surf to the front and Fat Mike yelled “dude, you don’t even shave your legs?”

I loved that they played one of my all time favs, “Linoleum”, as well as “Franko Unamerican” and even “Seeing Double At The Triple Rock”.  I also enjoyed hearing “Arming The Proletariat With Potato Guns” as well as watching the people dance around me during El Hefe’s horn playing.  Honestly that may have been more entertaining.  NOFX also played Rancid’s “Radio Radio”, a version I almost prefer more to the original.

During “Lori Myers”, the two girls from Bombpops came out to fill in for female vocal duty after El Hefe called their band “Kids-bop” and sang the part pretty much perfectly followed by a well deserved stage dive into the crowd.  As much I wanted NOFX to play “The Decline”, they did not as they played it at the HoB in 2006 (the only time I missed them), but they did play “Murder The Government”, “Don’t Call Me White” and “Dinosaurs Will Die”, a couple other favorites of mine.

15 years ago I got to see NOFX play a Warped Tour in a gravel parking lot and then later that year with the Bouncing Souls and Hi-Standard at the Agora.  In those 15 years, they have put out 6 albums and toured the world god knows how many times.  A lot of songs played that night spanned throughout their almost 30 year career but they played pretty much the same songs that they have the last two times I have caught them live.  I would have loved to have heard more songs off White Trash, 2 Heebs, and a Bean as well as Punk In Drublic, but I guess there is always next time.  El Hefe seemed to be the sober man of reason that night while Melvin was in his own little work of happiness and Fat Mike, who admitted he was not on pills to the crowd that night, was half way to black-out land.

For a band that never signed to a major label or ever has their songs played on commercial radio, they filled up the HoB with no problem.  It was a good night of music from all the bands on a Wednesday night.  People young and old were all over the place having a good time and sang along at every opportunity.  Based on the condition of the crowd by the end of the show, I am guessing many called off work the next morning or went in with a severe hangover.  That’s punk rock right?  Regardless it it was or not, it was tons of fun thanks to all of the bands played to Cleveland.

00's, 70's, 80's, 90's, Acoustic, Cleveland, Folk, Live Shows, Photography, Punk, Review, Rock

Concert Review: Social Distortion / Lucero / Frank Turner – 10/24/2010 – House Of Blues – Cleveland, OH

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Three different levels of rock took place last night in Cleveland thanks to Social Distortion and their hand-picked bill.  The punk rock icons made a stop at the House Of Blues Sunday night with special guests Frank Turner and Lucero.  The venue was packed from end to end with tickets selling out weeks ago leaving the last minute fans standing in the rain looking for extras – literally.

It’s been a little over four years since Social D took the stage in Cleveland, far too long of a hiatus.  It was no surprise at the amount of fans who lined up outside of the venue waiting for the doors to open.  Everyone in line looked excited and knew exactly what was going to be happening in just a short time except for a Cleveland police officer who pulled his motorcycle up on E. 9th asking if anyone had an iPod with Social Distortion on it so he could see what they sound like.

Opening act Frank Turner took the stage just after 8 p.m. to a very full and energetic crowd.  This was his second visit to Cleveland ever and this time was much better than before as he was not battling the flu and none of his bandmates slipped on the stage and fell on their ass during the set.

Playing “Try This At Home” it was clear that more people in the crowd this time knew who Turner was as they sang along to his folk rock songs.  Turner excitedly announced a new sing-along called “I Believe” and taught the crowd their parts.  Needless to say, the song was amazing and provided a nice hint of what his new material sounds like.  He continued with “Sons Of Liberty”, the ever catchy “The Road” and also played “Photosynthesis”.  The set was shorter than the crowd would have liked but was enjoyed by all.

Good ol’ boys Lucero took to the stage after a brief break and did their best to win over the crowd.  Sadly not as many people seemed as excited during their set but there was a nice chunk of true Lucero fans who sang from the beginning till the end as loudly as possible making sure all their surrounding neighbors realize they were missing out on something good.

The southern rock act played through their set including “I’ll Just Fall”, “Sixes & Sevens” as well as “Noon As Dark”.  They sounded amazing live and appeared so happy to be on the stage with lead singer Ben Nichols even saying “This is a dream tour for us.”  “Mom” was a highlight to many in the crowd who all knew the lyrics by heart as was the set ending “Tears Don’t Matter Much.”  Their set flew by entirely too fast and many were wishing that was not the case.

Social D made way to the stage with lead man Mike Ness donning an almost rockabilly / Swingers outfit with baggy khakis and a white button up shirt.  After absorbing the cheers from all over the venue Ness was handed a guitar and the band broke into three classics “The Creeps”, “Another State Of Mind”, and “Mommy’s Little Monster”.  Looking and sounding solid as ever, the band played with great energy and soaked in all the excitement from the crowd.

“Sick Boys” got the fans moving around as Ness and crew thrashed about the stage while everyone sang along – Rock N Roll never sounded so good.  With beers in hand and eyes focused on the stage, Social D continued with “I Was Wrong” as well as played a new song from their upcoming album entitled “Still Alive”.

Moving around their catalog, the band played older and newer tracks including “Ball & Chain”, “Bakersfield” (another song from their upcoming release) and “So Far Away”.  For having been around for 30+ years, the band showed no signs of being too tired to play or any hints that their musical career would be ending anytime soon.  By the sounds of the cheers it was certain that everyone was enjoying themselves at one of the better shows that has come to Cleveland.  Add in “Prison Bound” and Cash’s “Ring Of Fire” and many Social D fans were beyond satisfied with the set.

The only downfall of the show that could be seen were the folk who just didn’t know when to stop throwing back drinks – more so than other recent shows.  It was quite apparent that a lot of Sunday night concert goers would be calling off Monday morning.  A couple fights erupted, one during Lucero, and a select few fans were so piss drunk that they could not stand on their own two feet halfway through the main performance.  Nevertheless the surrounding crowd was unscathed by their actions and paid attention to the real reason they came to the House Of Blues: To take in a Rock N Roll show by one of the best acts out there.

January 18th, 2001, Social Distortion will be releasing Hard Times & Nursery Rhymes, the band’s first release in over six years.  By the show that the band put on last night, it’s evident that excitement for their new album has reached higher levels.

Social Distortion Setlist:

The Creeps
Another State Of Mind
Mommy’s Little Monster
Sick Boys
Don’t Drag Me Down
I Was Wrong
Bye Bye Baby
Still Alive
Ball & Chain
Through These Eyes
Bakersfield
King Of Fools
When She Begins
Making Believe
So Far Away
Prison Bound
Down Here With The Rest Of Us
Cold Feelings
Ring Of Fire

00's, 90's, Cleveland, Good Times, Live Shows, Music, Review, Rock, Solo

Ben Folds & A Piano – House of Blues – Cleveland, OH – 04/15/2010 – Concert Review

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Every once in a while I like to go to a concert to enjoy it and not worry about trying to take a ton of pictures and take notes to try and make a vivid review of my experience.  Honestly I do not mind doing it but sometimes it is nice just to sit back and soak in a performance by a great musician.  Thanks to my pal Matt from that Addicted To Vinyl website, I got to do just that enjoy an amazing performance by one of my favorite pianists out there, Mr. Bed Folds – and yet I could not help but write a little something about it.

It’s been years since I actually waited in line for a show before the doors opened but only because I needed to try and score a good spot for Matt and special guest.  A lot has changed over those years too come to think.  Back in the day I used to park blocks away from a venue for free or cheap parking and then wait upwards to an hour just to get a close spot to the stage.  These days I am feeling rather pretentious as I hand my keys over to a valet just around the corner and mosey in a venue whenever I feel like it.

I don’t need to be close to the stage anymore.  I have been there and still have scars to prove it.  I am perfectly contempt hanging in the shadows soaking in a live show.  In other words – I am getting older.  I am not old yet but you can bet your ass when I am old I will still be going to shows.

Matt Pond opened up the night for the sold out crowd at the House of Blues in Cleveland.  I am not sure really how I felt about his performance.  He was talented and had a singing style that kept reminding me of The Verve Pipe but it just lacked oomph.  With just Matt Pond and a guitarist on stage it didn’t have that energy needed to warm up the crowd enough.  Luckily with good conversation and a couple of PBRs the opener thanked the crowd and left the stage.

With just a piano on stage and also a black mat with a couple mics surrounding it, Folds casually walked onto the stage and the place erupted in cheer.  The more modern day Elton John, but much more vulgar, took a seat on his stool, greeted the crowd and began playing “Free Coffee” followed by “Annie Waits”, a song I should add was deemed “my jam” my our special guest of the evening.

I was thrilled to hear “All You Can Eat” which might be one of my favorite songs by Folds.  As I sang along I just was happy and enjoying myself with good friends and amazing music.  Of course that had to be interrupted.  Every single time Matt and I hang out something stupid happens.  I will explain in a moment.

Not only is Folds an amazing pianist but he is also a story teller and just hilarious to listen to.  Throughout the night in between songs I found myself cracking up at his remarks and comments be it him talking about the next song that he would play or just responding to the crowd.  It was not just the man on stage those being funny, there were some witty folk in the crowd as well.  I still laugh to myself at the fan who loudly and randomly said “Hi Ben” that just about caused Folds to even lose his concentration.

I might as well mention the other kinds of fans that were there…you know those fans.  The ones that pay money to see an artist and just talk through the whole set.  The ones that scream stupid things at the wrong moment thinking they are funny but results in a pissed off surrounding crowd.

Sadly I had a group of loud mouthed supposed fans behind where I was perched and they just had to lose all control of the volume of their voice and talk about how good their dinner was.  I finally could not take it and turned around and asked nicely for them to lower their voices so I could hear Folds play, you know, the guy who the tickets were purchased for.  I thought everything was fine and they seemed to agree until a hot head in the gang started yelling at me.  I did not take that kindly, exchanged some more words with “F”, “S”, and “A” being the first letters of those words and finally turned around.  They kept a respectful level of chit-chat after that.  I was so pissed off that I missed out on a couple of songs and apparently during my incident Folds was taking requests from the crowd on what songs to play next.

I was not the only one who had this issue either.  From all over the venue you could hear people screaming “shut up” to people who apparently like to spend money to sold out shows just so they could ignore the music and talk loudly.

So by the time I focused on the show Folds was holding a maraca in head and started playing the fake version of “Bitch Went Nutz” using the maraca and his fingers on the microphone to aid in a percussion of sorts.  It was awesome and it just got better from there as Folds played a brand new song from his up coming album he has been recording with Nick Hornby.  The song was called “Levi Johnston’s Blues” and is was all about Sarah Palin’s daughter’s former fiance.  I laughed my ass off during this song and well as nodded my head along with.

Another highlight to the evening for me was when Folds played “Steven’s Last Night In Town” a stagehand ran out with a tom drum so that Folds could play the ending beat.  While beating on the tom Folds and stagehand made way to the black mat I spoke of previously and as Folds played the tom the stagehand kept bringing out pieces and parts to the set until it was a full kit and Folds then played a crowd approving drum solo.

Instead of returning to the piano Folds took it upon himself to play “Hiro’s Song” while playing the drums.  He also added in a little freestyle song in so that no one would be able to sing along.  He then returned to the piano and played “The Luckiest” followed by the always amazing “Rock This Bitch”, which was requested by a fan.

The crowd helped with “Not The Same” adding a chilling harmony at Folds’ request.  Leave it to some drunk ass who sung out of key on purpose for a brief moment to piss off, one again, his surrounding neighbors.  “Shut the f— up” was screamed at the moron by another fan which apparently got some other drunks excited and they started shouting out stuff.  Way to go drunk-tards of Cleveland for adding your spice to an amazing song.  Seriously, thanks.

Playing “One Angry Dwarf and 200 Solemn Faces” Folds just beat the hell out of his piano as the crowd went nuts.  I am always in awe watching him play live, it is something that needs to be seen.  Striking the last note of the song Folds took his stool slammed it on the piano and left the stage.

Luckily he returned for an encore as it was apparent the crown was not done just yet.  Playing “Rockin’ The Suburbs” the crowd once again erupted in approval and sang along.  Ending the near two hour set Folds merged into “Song For The Dumped” and upon finishing it thanked Cleveland and left the stage.

It was a great concert, the kind where you leave satisfied and talk about the show all the way to your car, or to the valet in my case.  I was thrilled to hear so many Ben Folds Five songs played as well as hearing some of the other tracks from albums like Rockin’ The Suburbs and Songs For Silverman.  I can admit I was not the biggest fan of Way To Normal but regardless I enjoyed the selections he performed from that release as well.  Folds was on top of his game as always and put forth a great solo show to all.  I can not wait till he comes back next time, hopefully with Nick Hornby…that would be amazing.

Here’s a review of a Ben Folds performance at an over sized venue and free for students resulting in even more annoyance for the true fans.

Set List:
Free Coffee
Annie Waits
Sentimental Guy
Effington
Time
Landed
All U Can Eat
Brainwascht
Gone
Bitch Went Nutz (Fake Version)
Levi Johnston’s Blues (new track featuring lyrics by Nick Hornsby)
Picture Window
You Don’t Know Me
Still Fighting It
Zak and Sara
Steven’s Last Night in Town (Ben Folds Five Cover)
Hiro’s Song
The Luckiest
Rock This Bitch
Emaline (Ben Folds Five cover)
(Unknown)
Army (Ben Folds Five cover)
Not the Same
One Angry Dwarf and 200 Solemn Faces (Ben Folds Five cover)

Encore:
Rockin’ the Suburbs
Song for the Dumped (Ben Folds Five cover)

Cleveland, Hip Hop, Live Shows, Music, Music News, Music Video, Rap, The Awesome

The Awesome: Public Enemy Return To Cleveland

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It’s true.  Rap pioneers Public Enemy are coming back to Cleveland on Sunday June 27th to the House Of Blues.

That right there deserves The Awesome.

Having seen them for the first time ever at the 2009 Bonnaroo I can tell you this – they put on an amazing live show, even at 3 in the morning.  Age aside these guys are kings of what they do.  I am more than thrilled to see them come back to Cleveland and will be making sure I am in attendence that night.

According to my pal Matt over at that Addicted To Vinyl site (who I should add was there with me at that amazing Bonnaroo performance):

Public Enemy
featuring Chuck D, Flava Flav, Professor Grif, DJ Lord and the S1W
Sunday, June 27
House of Blues

From their multiplatinum 1987 debut, Yo! Bum Rush the Show!, to seven records later, Public Enemy’s influence on hip-hop and rap shows little sign of slowing down. Arguably the most frequently sampled rap artists of all time, they proclaim, “We got a right to be angry.” They’ve been channeling that anger into articulate, revolutionary lyrics, as much to educate as to entertain. They use deep Funk basslines with layered rhymes from Chuck D interspersed with funny quips from Flava Flav (notorious for wall clocks hung around his neck). The beats, rife with police sirens, screeches, and heavy sampling, speed each tune to a cathartic release. Anyone who thinks that racial equality has been reached in the U.S. can think again, and let Public Enemy do the talking.

Tickets go on sale on 03/31/2010 and I am positive this will sell out.

Prices:
$32.50 – GA- Standing Room Only – Advance
$35.00 – GA- Standing Room Only – Day of Show
$45.00 – Reserved Seats

For more information visit the House of Blues website.