I remember the first time I heard the one time post-hardcore/screamo outfit Thursday. They were of a genre of music I swore I would never get into, but there was something about them I really was attracted to. Over the years I have watched them mature into phenomenal musicians and it’s no surprise that they decided to try something differently on their sixth studio release.
No Devolución is perhaps the band’s most involved album to date. It is not like any of their previous material and at times and really feels like a well put together work of genius. Geoff Rickly still does wonders with his signing ability while the rest of the band seems to have really mellowed out this round. This is the bands second release under Epitaph Records.
“Fast To The End”, a catchy rock jam, opened up the album. Rickly and crew seemed to keep to that known Thursday sound intact with some screaming thrown in around.
“No Answers” without a doubt was my choice track thanks to the catchy synths that easily could be compared to MGMT. The song flowed so well throughout with very poignant lyrics talking of relations with Rickly singing “No answers, no answers when you’re around” at the end of the track. Sad track, but beyond amazing to listen to.
“Open Quotes” on the other hand had a more aggressive approach. Hinting back at some of older Thursday material, the track had a couple shouts and screams and a little added distorted guitar playing, but overall really could have been a tougher track. It just seemed to dissolve by the end.
Starting slow was “Past And Future Ruins”, a killer track with heavy Muse matching guitar riffs as well as xylophone both over a steady floor tom beat. Rickly had no problem showcasing his vocal ability throughout and even tosses it in a distorted mess a couple of times giving for a very loathing tone.
“Empty Glass” was a sad, sad song. Although beautifully put together, the track was gloomy as hell and easily could bring the happiest person down to a whimpering lull. The electronic driven music along the pitch-shifting singing was haunting yet almost comforting to listen to.
“A Gun In The First Act” was a darker sounding track with very NIN simular synthesizers in the background. The more I listened to it, the more I heard NIN’s version of “Dead Souls” originally performed by Joy Division in it. Overall the track was amazing and was one of my favorite cuts off the album.
“Turnpike Divides” brought the energy back with a old school Thursday feel to it. The track is a no-place-like-home tribute to good ol’ New Jersey. I loved the Bruce Springsteen reference, “it’s hard to sleep when you’re born to run.” This was another song I enjoyed a lot and just stood out over all the other tracks.
Putting an end to the masterpiece called No Devolución was “Stay True”, a motivational track aimed at just about anyone who wants to give it a listen. The Rollins-esque lyrics were quite stern yet compelling to follow along to. Aimed at a novice in life, this song has the ability to shed guidance on those who are looking for answers. Sometimes all it takes is a song for someone to guide them in the right direction.
No Devolución has made me a bigger Thursday fan. Over the years, my music taste tends to change and I find myself getting discouraged sometimes are bands who never challenge themselves. Sometimes the outcome is a disaster, but I have to hand it to Thursday, they put together an outstanding release without forgetting who they once were, and still are.