Tag Archives: Album

Album Review: Worlds Scariest Police Chases – Ablum 3

The thing I love most about Pittsburgh’s Worlds Scariest Police Chases is simply that they give no shits.

Fueled by cheap beers, working class aggression, and heavy doses of realness, they are like Propaghandi in a sense but only love themselves.  Jerks.

The punk rock outfit at one time was thought to have called it quits in 2014 only to change their mind or just screw with anyone they could.  For what it’s worth, I am glad they continued on because we need more bands like WSPC.

Recently dropping Ablum 3, the band aims to mess with fans, new and old, instantly.  Released on Say 10 Records, I have to confess, this is some good, harsh stuff and just seems to outsmart that “Oh let’s reference a bunch of 90s punk album titles into our album title” release.

“Modernbaseballiswar” started off with the band questioning “what if everyone hates us for this” followed by “I hope everyone hates us for this.”  The raw, don’t care attitude easily can relate to any young punker as well as us old punkers who can just sit back and laugh at when we cared what people thought about us.

“Mindtrap” easily was my favorite track on this album.  It’s probably all due to the xylophone playing, but honestly, it was just a killer track calling out everyone as possible in less than 2 minutes.  I laughed when I heard “punk is dead, no matter what Kevin says” might have been targeted at that guy who did that Warped Tour for a couple of years but who knows.  The video was entertaining as hell though.

“My Death” was a 90s punk rock track down to the core.  The band really offered some mature, hard moments on this one.  I adored this track for the punk ethos being blasted out.  I’ll be keeping this song handy for when I’m having one of those days.

Of course my old ass appreciated the rerecorded version of “Adolph Hipster”, a track that was released in 2015 and clearly was aimed at those who think punk is a fashion statement.  With the band admitting they are poking fun at anyone who thought the song was about them, the true genius of this song was the Kid Rock “get in the pit and try to love someone” tossed in.

Calling out douchebags was “Trigger Warning”, a track that dismissed anyone who takes advantage of others.  Clearly this track was aimed at a certain someone with “you violated trust, you are not one of us” being released at the end.  Whoever this is, even I think you suck.

I found entertainment in the song titles too which held reference to some classic punk rock acts.  Titles like “The Shape of Punk is Dumb” and “How To Glean Everything” just reminded me how clever these guys really are.  Both tracks were good too.

WSPC remain a true gem of a punk band and Ablum 3 clearly showcased that.  It’s nice to see these 6 hard-working dudes carry on their band with purpose to piss off, have fun, and just play for themselves (and their fans too of course).

WSPC is playing Cleveland on 12/28 with Boston’s Rebuilder at Now That’s Class.  You can bet your ass I will be there.

Album Review: Johnathan Richman – SA

Sometimes you forget about things because you’re  just so preoccupied with life.

That normal routine, if you’re like me, starts with coffee and ends with exhaustion.  What I’m basically trying to get at is that I forgot to do something.  It was an honest mistake though.

I forgot to take a few moments to myself and write about the latest release by Johnathan Richman titled SA.

SA is Richman’s 17th album as a solo singer/songwriter.  Once again on Blue Arrow Records, Richman has recorded an eccentric yet honest, poetic album where he sings about everything from love, dancing, and even a creative point of view from a dog.  It’s simply art put to music.

According to Blue Arrow Records on their Bandcamp site, “SA, the root note in Indian ragas, was what Ramakrishna,
the much beloved mystic, told his spiritual students to search for underneath all things of this world.”  Chances are if you are reading this, you know Richman and why he would reference such.

Album title track “SA” opened up with a relaxed, island-y feel and had Richman singing of focus and love without hesitation.  The sitar, at least that is what it sounded like to me, complimented Richman’s strumming.

Subtle quirks were heard in Richman’s pitch throughout “The Fading Of An Old World”.  This track really had a lot going on musically when you sit back and listen.  On top of it, Richman did what he does best in flowing ample and intense lyrics throughout.

“O Mind! Let Us Go Home” held as an eccentric tune that had some likable psychedelic qualities.  The jazzy drumming behind the tambura playing kept things beyond mysterious.

Richman sounded so youthful in “O Mind! Just Dance”, a track that seemingly was a continuation of the previous ‘O Mind’ track.  This experimental track became one of my favorites the moment Richman just started opening up and going on a positive tangent about not worrying.  I loved how he seemingly turned his attention and spoke to the audience halfway through asking everyone to forget and dance.

“¡Alegre Soy!” was just amazing as it was a peppy, cheerful song.  Sung mostly in Spanish, the song really just built up so well.  I instantly adored the track the moment Richman just started doing a spoken word about how happiness surrounded his life.  I could hear him smiling as he spoke about always being happy in his life for the most part.  Once the track ended, I was just left with such a good feeling in my heart.

“Yes, Take Me Home” was easily my favorite track off this release.  As someone who has rescued a dog more than once, I because almost a little emotional listening to Richman speak as a sheltered canine with an undisclosed past.  I loved the harmonium playing accompanying Richman’s guitar, but I just wish I knew if the dog was taken home.

“And Do No Other Thing” was an instant classic for me.  Songs like this one were what turned me into a Richman fan in the first place.  It was romantic yet blunt with completeness especially when everyone came together at the end.

This album, in my opinion, was far more entertaining and good-spirited than the last making for a great listen.  Richmond, at times, sounded as if he got lost in the moment more than once and did not once chance his approach at what he was born to do: Entertain.

I should note that Richman and Tommy Larkins currently are on tour in support of SA.  I was lucky enough to catch them a few weeks back at the Grog Shop in Cleveland  and I will tell you, it was probably one of my favorite intimate performances that I have ever seen.

I went to that show purely as a fan and not to review it and left with a happy vibe that lasted well past the car ride home and the next work day.  It was my first time seeing him live even though I have been a fan for longer than half my life.  He was everything I had hoped for.

With that said, if Johnathan and Tommy made it to your neck of the woods during this tour or even the next, just go.  You will not be disappointed.  Even if you are not terribly familiar with his material, I can honestly say you will be entertained by one of the best.

SA is available on CD and for download on Bandcamp.  Look for a cassette and LP release in early 2019.

Album Review: Curtail – All Your Luck

I’ve known Jesse Sloan for a while now thanks to places like The Gurley House and It’s a Kling Thing.

I was a big fan of his two-piece Cherry Cola Champions and remember when he pulled me aside at some local show telling me he had something new he was working on and could not wait to share it with me.

Mind you that was a year or two ago, but I was intrigued the moment he told me of what he was working on.  My curiosity was finally satisfied when he told me about Curtail, a new band featuring some other familiar names in acts I adore including Eric Sandt (The Ground is Lava), Dan Corby (Bethesda), and Ben Hendricks (Annabel).

Cleveland’s Curtail dropped their debut All Your Luck at the end of May on Skeletal Lightning Records.  A supergroup of sorts with all angles of talent combined resulted in a hell of a listen.  I hate that I am just getting around to talking about it when it has been on regular rotation since it dropped over a month ago.  Still, it needs to be noted.

“Rush Hour” started the album off a bit reserved but with good measure.  Half way in, the song kicked it up a notch and made for a great listen overall.  “Smile” continued with the trend and the group vocals mad it so much more fun to nod my head to.  I especially loved Sloan’s erupted singing style throughout.

“The Lesson” is the track that completely won me over.  Taking queues from 90s alt- rock past, this song ruled in so many ways. This  is what New Radicals would have sounded like if they were an emo band.  Please note that I adore the 90s one hit wonder Gregg Alexander band so this is not a diss at all.  This song was catchy, emotional and perfect for summer listening.

I loved hearing “Good Year” as I felt I really related pertaining to the ups and downs throughout life.  This emo jam intermittently erupted into a grudge track  this former flannel wearing teenager approved of.

“Come Around” was an uppity, fuzzy jam that reminded me some of The Promise Ring.  Clearly the content was about overcoming, but brought forth in a positive way – at least musically.  This was one of my other favorite tracks on the album.

“Sleight of Hand” was another favorable song for me.  You could just head the fun Sloan was having singing this song.  I loved the many references only Northeast Ohioans would appreciate.

“Glow” completely moved into more of a chilled out that probably would have faired well to a crowd in a smoky, cramped venue in the 90s full of thrift store cardigans and Doc Martins.

“Skyscraper” easily could have been a Sense Field track that never was released.  This post-hardcore closing track was good on so many levels from the singing, the drumming, and of course the guitar playing that eventually faded out in a fuzzy departure.

For someone like me who grew up in the 90s and was obsessed with indie and alternative rock, All Your Luck really brought me back some.  Sloan and crew really dropped something special that deserves all of the attention of music fans.  Give it a listen, I highly doubt you will be disappointed if you still think music from the 90s was the best.

Check Curtail out on BandCamp and support the living daylights out of them by downloading All Your Luck.  I hope I can check them out live so I can give them all hi-fives for dropping one of my favorite releases of 2018.

 

 

Album Review: Kali Masi – Wind Instrument

It’s been a long time since I’ve gotten this excited by a new band.

You know that feeling, music that once it hits your ears, it’s pure gold.  It catches you off guard in a good, good way and all you can do is just enjoy it over and over and be thankful you were introduced to them.

Kali Masi, hailing from Chicago, dropped an album on Take This To Heart Records that so good that I’ve been listening to it non-stop for about two weeks now.  I found myself instantly a fan of them and each time I listened to their release, I appreciated it more and more.  I hate that it took me this long to learn about them.

Wind Instrument is the foursome’s debut release, but from the sound of it, you’d think this band has been around forever.  Full of energy and hard-knocked feelings meshed with catchy as hell punk rock tunes is probably the best way to describe these guys.  Think Luther meets Smoke or Fire and Restorations.

“Some Friends” opened up the album not holding back one bit with  “you’ve got a funny way of coming clean” immediately targeting someone who needed to be called out for who they are.  This track blew me away and I immediately knew that I was going to love this album.

“Her Palms Were Read” continued with intense, honest recollections of relationship truth.  The chorus proved that with a stern “If I could count the ways I need you, am I just wasting all my time?”  Everything was likable on this track, especially the guitar playing at the end.  I always appreciate a good rock out.

“Powerline Days” ruled.  The music and lyrics were so damn catchy and perfect all revolving around love.  My favorite part was the harmonies added with the hooks in the middle followed by a simple guitar solo.  The video was top-notch too (check it out below).

“Love is unconditional but I’m in no condition to love” as heard on “Jejune” was such a brutally honest lyric on this self-destructing track.  Once I heard it, it just stuck with me and all I could think of was how I once identified with that statement.  Heartbreak of any type hurts and you can hear it in this track.

“Recurring (II)” was full of hooks and catchy singing that anyone would find themselves getting into.  “Ghost (The Pottery Scene)” carried the same likable qualities after but slowed things down some with a ton of reminiscing, slight regret, and brutal self-actualization.

Listening “Your Other Left” brought back a lot of buried memories from past relationships.  I have got to hand it to Kali Masi, these guys really know how put their lyrics together providing for explicit visualizations.  I can not say the memories were ones I wanted to recall, but I can tell you, I appreciated hearing them as told from someone else.  Musically, this track was amazing to listen to with a slight eruption towards the end.

Finishing up the album was “C.A.”, a punk rock balled of sorts.  The whole band really came together on this one making for an incredible listen.  Right when I thought it was over, the band dug deeper into their pocketful of feelings and belted out “what kid of fool would fall in love with someone who gave up on themselves?  What it takes to be happy, I don’t know.”  This was the moment I knew this band was destined for greatness.

Wind Instrument was the surprise release I have been looking to hear for a long time now.  Kali Masi pretty much has gotten me just as excited as when a young Menzingers released Chamberlain Waits.  Just by one album I knew they were striving for greatness and I hope to hell Kali Masi does the exact same, these dudes have serious potential.

I hate that I missed these guys last year when the album dropped as they would have shot to the top of my Best Of List, but honestly, these guys are going to be in my regular rotation for some time to come.  Do yourself a favor and check them out.  I hope you will appreciate them as much as I do.

Album Review: Mean Jeans – Jingles Collection

I don’t even know how to start out this review other than the creativity idea of Mean Jeans is off the charts with their recently released Jingles Collection.

Starting off as a joke, the punk rock band has released something unheard of – punk rock advertisement.

You’ve heard punk rock bands covering other artist’s songs for years, but when is the last time you heard a punk rock band writing a song, rather jingle, about a product?  Be it food, cigarettes, a store, or even shampoo, Mean Jeans have taken their novel idea to the extremes in hopes of grabbing the attention of multi-million dollar companies, or just getting a rise out of them.

The best part about this album is how catchy and fun the songs are.  From start to finish, there wasn’t one song on here that I did not like or pretty much memorize immediately.  Fat Wreck should really be proud of this one.

The good folk at Coors really should compensate Mean Jeans heavily for their song, “Coors Light”.  This catchy song about the light, refreshing beer is catchy as hell and all so honest.  I could really see this track being used in a commercial.  Make it happen Coors.

“Give me Totinos, a party pizza” started off the pizza and partying pairing track “Totinos”.  Stoners are going to love this song and probably run straight to the freezer upon hearing it.

Making cancer fun again was “Camel Lights”.  Should big tobacco ever be allowed to broadcast their product, this fun tune should be first in line to consider.  The kids are going to love it.

Mean Jeans singing about the caffeine citrus drink in “Mountain Dew” almost made me want to go get one and shake for the rest of my evening.

“The Footlong Song” paid tribute to the sandwich artist studios that slap meat and cheese on bread and call it a sub.

The honky-tonk, garage rocking “Skoal” was brilliant.  Loved the fact they referred to chew as a “tobacco treat” and  also declared “the heart of rock-n-roll is dipped in Skoal”.

The Misfits sound in “Polly-O String Cheese” was just amazing.  So amazing that I had to listed to it a couple of times over to fully appreciate it.

Taco Bell is stupid if they do not use “Taco Bell” in their next commercial.  That is all I have to say about that.  The same goes to the mad scientist laboratory behind the dandruff shampoo as “Selsen Blue” actually made the product sound more marketable.

Should the kangaroo cookies and chocolate dip ever make a comeback, “Dunkaroos” could really be aimed at the adults who used to munch on those snacks hardcore in the 90s.

I chuckled often while listening to the  Jingles Collection today, but also was kind of impressed at the songs.  They clearly were done in the key of humor, but some of these unsolicited songs really could be used in commercials.  Mean Jeans have single-handedly delivered the most unique album of 2018.

Here’s to hoping they release a VHS full of videos like the following:

Check out the whole album if you want.  It’s probably going to be the best 30 minutes you wasted all day: