Tag Archives: Release

Album Review: Tim Barry – High On 95

There is really not much more I can say about Tim Barry these days except that the man is exceptional.

The former Avail frontman has made aging as a punk rocker just so appealing.  Taking each day in stride and being the best father he can be, you might just find inspiration in him just as I have.

His solo material is more of a storytelling process with the soul purpose of letting people hear him out.  Still containing his punk rock roots as well as life-long experiences, Barry just dropped an all new release on Chunksaah Records titled High On 95.

High On 95 is a mixture of acoustic tracks and collective jams with Barry’s family and friends.  Just as he has always done in the past, Barry has no problem combining folk, rock, and punk and  with his own personal touch making for an incredible listen.

The album was recorded once again by Lance Koehler at Minimum Wage Studios in Richmond Virginia.  According to Barry, “it’s just one take” and continued with, “Lance knows the more I do it, the worse it’s gonna get. You lose something when you play it more and more. So get it right.”

One take is all it took to make one hell of an album.

The personal “Slow Down” had Barry and his guitar recollecting life in a busy city and his transition to a small town.  The backing violin playing was so fitting on this track that seemingly aged from the beginning to the end.

The detail in the lyrics on “High On 95” almost seemed like personal memories of my own.  This track was built up with some guitar playing and simple piano playing.  What made this track even better for me was the video that his 4-1/2 year old daughter filmed all on a VHS camcorder.  Life goal right there folks, especially since I have my own little versions of me these days.  Check out the video below.

“O & Dp” was more of a song a close knit of friends would sign around a campfire.  I especially related to this track with lyrics that were personable with life events and self-expectation.

“Riverbank” was a memorable jam that might be one of the more produced songs I have heard by Barry in a while and I loved every second of it.  Friendly and real thoughts put into song while letting dogs run around the river just doesn’t get much more sincere.

The toe-tapping “Gumshoe Andy” brought back train-hopping memories of Barry.  You almost wonder who this gumshoe was and what his intentions were or if it was just an inner-conscious voice taming someone’s wild tendencies.

The observations in “Porter St.” are all to familiar.  This industrialization realization of a small town track has immediately become one of my favorite Barry tracks.  Just listening to it had me thinking and agreeing with what day to day life has turned into.

“Chelsea” was almost a Dear John letter of a track with Barry showing pleasantries followed by dismissal for being deceitful.  Friendly-sounding but stern, this tune was quick to take out the trash.

It was great to hear Barry’s sister Caitlin play violin on “Running Never Tamed Me” along with Barry. Christina Marie Gleixner provided haunting backing vocals on this track about the highs and lows of life and love as told to what I would only assume was Barry’s daughters.  This was one bummer of a track, but beautiful.

At 30 minutes total, High On 95 was an amazing listen that seemed to just fly by.  I have actually listened to it a few times now and some of the tracks became even more poignant once the lyrics were absorbed in my mind.  It’s the kind of album you think with, relate to, and just absorb.

People, including myself, have asked Barry for years if he would ever reunite Avail.  He always responds that he is not interested in doing that.  For a while there, I could not understand, but as the years have progressed with the releases by Barry, I am glad he didn’t.  This man has his priorities set to align with his future on his own accord.  Godspeed sir.

Tour Dates:
9/23 Richmond, Virginia @ Carpenter Theatre
10/05 Washington, DC @ DC9 Nightclub
10/06 Pittsburgh, PA @ Cattivo
10/07 Cleveland, OH @ Grog Shop
10/8 Detroit, MI @ Smalls
10/10 Columbus, OH @ Rumba Cafe
10/11 St Louis, Mo @ Blueberry Hill
10/12 Chicago, Il @ Cobra Lounge
10/13 Indianapolis @ White Rabbit
10/14 Louisville, KY @ Haymarket
10/26 Ybor City, FL @ Pre-FEST
10/27 Gainesville, FL @ FEST
11/09 Garwood, NJ @ Crossroads
11/10 Philadelphia @ Underground Arts
11/11 Cambridge, MA @ Middle East Upstairs.
11/12 Brooklyn, NY @ Rough Trade
12/07 San Diego, CA @ Casbah
12/08 Santa Ana, CA @ The Observatory
12/09 Los Angeles, CA @ The Echo
12/10 San Francisco, CA @ Bottom of the Hill.

Album Review: Heart & Lung – You Wanna Know the Truth?

When a great pal tells me to check out a band that one of his bandmates happens to be in, I stop what I am doing and look for my headphones.

Heart & Lung is the band I speak of and thanks to Jeremy (most call him Rozco), I can not stop listening to these guys.

This four-piece pop-punk act hails from tropical Cleveland and has been doing their thing for a couple of years now.  Featuring current members of Throw Shade and former members of The Fucking Cops, Let em’ Run, and The Public, it is safe to say that this band has plenty of rustbelt punk rock talent.

You Wanna Know the Truth is the band’s debut release and I must say, it is pretty damn impressive.  Released independently, you’d think someone from an independent label would have scooped them up already (hint, hint to you label owners out there).

As far as the sound goes, think the energy of Direct Hit! mixed with the singing style of Say Anything, the memorable lyrics of Iron Chic, and glorious group harmonies of Masked Intruder.

As an avid Cleveland Indians fan, I certainly appreciated the opening sample with Hammy doing this thing on “Telecaster”.  This opening track just has the band jumping right in and giving it their all.

“Hey Man” was kind of like a fun blend of Max Bemis and Masked Intruder, hence my previous comparison.  This happy-go-lucky track is best played with friends.  Nice job incorporating the band name into the lyrics by the way…

I am not sure what “1954” is all about, but I do know that is the year the Cleveland Indians went to the World Series.  I also know that is the year the infamous Sam Sheppard  supposedly murdered his wife.   I appreciated the Cleveland pride and references throughout this jam.

“You Wanna Know the Truth?” was easily my favorite track off the album.  The steady yet furious drumming, the piano playing, and just the honest chorus “you wanna know the truth?  I’m fucking in love with all of you” pretty much did it in for me.  Hearing the band profess enjoyment while on tour as well as their admiration for the great state they all hail from was all too intoxicating.  The ending though…man, that was so perfect (you can check out the song below).

“Recession” was 50 seconds of the ups and downs of corporate America and the broke asses who live there.  “Don’t Need You” was as you guessed it, a song about tacos from someone who is trying to diet furiously.  I love tacos.

“The Sound” ended things in almost Weezer fashion sans the heavy repeating bass line.  Hearing this song build up, explode, and just exhale with piano playing at the end put this album to rest in a good way (no pun intended of course).  With lyrics about ending it all, carrying fear in doing so, and finally seeing someone looking back eliminating said fear, this wasn’t exactly a happy-go-lucky track.

My only complaint about this album?  It clocked in at a whopping 27 minutes.  11 great songs, but I would have gone for a few more.

This Cleveland pop punk act has what it takes to turn heads and snag the attention of many.  Don’t believe me?  Check out what the bassist John’s sixth-grade students had to say about it…

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I feel like I should have just started out the review with their quotes.

This band has been playing like crazy lately here in Cleveland as of late, most recently with Off With Their Heads, and I am excited to see what happens with them next.  If you are looking for something new and fun, check these dudes out.



Album Review: Heart Attack Man – The Manson Family

True story: I almost crashed my car this morning because the streets were a sheet of ice.

I was probably driving too fast, but that is not the point.

As I applied the brakes, my car just kept sliding right towards Brookpark Rd. with speed as oncoming traffic continued moving.  I lucked out at the last possible moment and was able to drift my car sideways to avoid crashing into anyone or anything.

So what the hell does this have to do with this album review you ask?

Well, as I sat there sideways at the edge of the intersection, I felt grateful that I was going to be able to get to work on time and listen to the new Heart Attack Man.  I’m quite serious about this – I planned on checking it out as soon as I got to my paying gig.

Cleveland’s Heart Attack Man originally was a solo project of guitarist/vocalist Eric Egan that soon turned into a band once Adam Paduch of Two Hand Fools took on drumming duties.  The duo specializes in creating catchy ass jams that carries equal amounts of alternative rock and indie rock.

Released on Triple Crown RecordsThe Manson Family is Heart Attack Man’s debut full-length.   Full of modern day struggles, the album refuses to hold back.

I knew I was in for something good the moment I heard opening track “Burn Down The Mall”.  Even though the tune was catchy like something Brand New might dish out, the song itself was just dark and melancholy.

“Sitting On the Fringe” was an anthem of just being fed up with everyone and everything while “Life Sucks” was an emo downward spiral, but damn it sounded so good.  “Cut Off At The Knees” also had this defeated sense of humbleness throughout.

“Surrounded By Morons” really reminded me of a long forgotten 90s band, King Missile, due to the singing style alone.  The song  was a literal opinion about living in over-populated cities.  The music that backed it was overly impressive with plenty of fuzz and riffs for all to enjoy.

“Taking Sides” easily was one of my favorite songs on the album.  A personable jam that I really can say I  could relate to over and over.  “Funhouse Mirrors” was another track I found myself getting into.

“Cool Kids Table” closed things down with a Weezer-like similarity, but far less sweet and innocent.  This song made me want to drown my sorrows in the cheapest beer possible.  The best part of this track was the sarcastic screams where you clearly can hear the frustration.  The more I think about it, this was probably my favorite cut off the album.

Heart Attack Man are one of the most exciting up and coming Cleveland bands out there right now in my opinion.  Sure, you’ve probably heard this statement so many times from everyone and their mother about every band out there, but have a listen of The Manson Family and I’m sure you’ll understand why I hold such high regard.

It’s not a happy album, but it is catchy and begs to be replayed over and over.

Album Review: Western Addiction – Tremulous

After 12 years since their debut dropped, I have to admit I was shocked and overly stoked when Western Addiction announced that they were dropping a sophomore album on Fat Wreck Chords.

What got me even more stoked was to hear that Joey Cape was producing it and Dead To Me’s Chicken was back offering bass duties.

Once I heard all of this news, I was like a giddy little kid impatiently waiting to hear it.  I loved Western Addiction’s debut album, it ruled on so many levels.  Finally today,  I was able to check out Tremulous and it does not disappoint at all.

“Clatter and Hiss” started things off well.  The energetic track really proved to me that this album was going to be sick.  “Masscult, Vulgarians and Entitlement” was just a rager of a song to listen to.  I dug the vocal ranges throughout as it just added an enjoyable edge to it.

The tough “Taedium” was just perfect to listen to tonight after having a stagnate day at the paying gig.  I could not help but to think about Mötorhead on this track, and that is not a bad thing at all.  Add the fact that Propagandhi’s Todd Kowalski dropped some vocals in it make it even that much better for me.  This was a hell of a track.

“Red Emeralds” was a short track, but one that left a mark.  This hardcore track was full-forced from start to end.

The guitar playing on “Humming Bars of White Light” reminded me one again of Mötorhead, again, not a bad thing at all.  This track ruled.

Then there was “The Rockery”.  This track was all over the place with a hardcore feel that morphed into a punk rock jam  that eventually all ended by a guitar solo like no other.

Album ender “Your Life Is Precious” was written in tribute to the band’s friend, and Enemy You frontman, David Jones.  This track was not like the others and easily was my favorite cut off the album.  I loved the different approach taken and really was reminded of something Danzig might have done in this prime.  Not saying there are “woahs’ and “yeahs” being screamed, but I am saying a damn fine song took you on a ride.

Western Addiction really have dropped a killer release.  This punk/hardcore act has delivered after a 12 year wait and did not cut any corners in doing so.  If you are looking for something to listen to without smooth edges and loud, check out Tremulous.

Album Review: Big Dick – Disappointment

Big Dick - DisappointmentIndie-punk duo Big Dick have returned with an all new album titled Disappointment.

This is a follow up to the band’s impressive 2013 self-titled debut and once again has been released through Dirt Cult Records.

Before you question the band’s name and its meaning, just note it was taken from a NoMeansNo song title.  Don’t dig in too deep you pervs.  Who am I kidding?  If you ever heard the original song, your questions might be validated instantly.


Cultivating their own sound with just drums, bass, and dueling vocals, Big Dick really reaches back to 90s alternative rock styles while keeping a DIY punk and even garage rock edge.  The result is melodic yet heavy at times making for a truly killer listen.

“Let Down” was a catchy self-esteem downer of a track fueled throughout with a heavy distorted bass.  This opening track was a subtile reminder to me how much I enjoy this band as well as one of my favorite cuts on this release.

“Last Days” straight up ruled with the dual harmonies and just addicting bass riffs.  It’s hard to believe that there are only two dudes in this band when you hear songs like this.  This was another favored track over the rest.

“Up A Step” took  more pop-punk noise route that was totally ok with this listener.  At times, the vocals just seemed off but not enough to ruin the track.

“Out On A Limb” was a tad more technical with intricate bass lines.  The dual vocals and singing on “Crawl” was worth of an immediate second listen.  I dug this track a ton.

Tracks like “Marnier”, “Good Hunting”, and “Another Minute” really showed the band has matured and mastered their own sound.  From the lyrics to the insane drum and bass playing, I could not help but just get sucked into what I was listening to.  Then came “Young Love”, a more experimental track of sorts that clearly could have been a Ween b-side.

“Bad Dream” was one of my favorite tracks on the album.  I loved the different genres I could hear in this track, especially the grungy garage rock.  The slight harmonies in the background and the throat-clearing screams made it that much better.

Disappointment is anything but that.  Fans of Japandroids, Two Gallants, and even Death From Above 1979 are going to eat this up.