Category Archives: Review

90's, Electronic, Folk, House, Music, New Release, Review, Solo, Techno

Quick Reviews: Sh*t Robot, The Chemical Brothers, J. Tillman

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I have been getting tons of material lately for review consideration so I thought I would try something new and shrink down my usually lengthy reviews.  Nothing fancy, just trying to get the word out on some amazing bands and releases.  Enjoy.

Sh*t Robot – From The Cradle To The Rave

Marcus Lambkin, aka Sh*t Robot, has taken his time releasing his debut album – literally it has been 20 years in the making.  The Irish born punk rocker turned DJ has made a name for himself in the NYC club scene and even though has never recorded an album before has made a huge name for himself by just doing his thing.  I should also mention that Lambkin helped build that which is now DFA Records from the ground up.

From The Cradle To The Rave reflects Lambkin’s life as a DJ and more.  Opening track, co-written by LCD Soundsystem‘s James Murphy, “Tuff Enough?” is an electronic anthem of sorts with simple beats and synthesizer that was actually written about an upcoming expectancy.  “Losing My Patience” featuring Hot Chip‘s Alexia Taylor was a fun track that I think many of the dance clubs will have no problem spinning. “Simple Things (Work It Out)” was an entertaining experimental dance track of sorts with almost a spoken word feel to it.

My personal favorite cut on the album was “Take ‘Em Up” featuring another musician from LCD Soundsystem, Nancy Whang.  This song not only screamed retro 80’s but also heavily reminded me of what would happen if Daft Punk decided to sample a Sonic The Hedgehog soundtrack.  Whang’s vocals are perfect for this track more suitable to be played at a roller rink.

From The Cradle To The Rave is proof that sometimes taking your time is a good thing.  This release is for all the folk out there that still enjoy the clubs.  Full of electronic goodness that reaches back to the days when techno was all the hype in the 90’s as well as hints at some Kraftwerk.  The album is solid front to back without over doing it.  Where I don’t frequent those types of clubs anymore I still got a kick out of that which is Sh*t Robot.

The Chemical Brothers – Further

Seeing a band like The Chemical Brothers come out with new material makes this guy right here happy.  As a longtime fan of the British duo (Tom Rowlands and Ed Simons), I was thrilled when Further was released and even more intrigued when I heard that alongside the album would be visuals to accompany each of the songs. While I still have yet to obtain the videos I can tell you that they are available on DVD and iTunes for download.

Further is different from previous releases as it is mostly instrumental with Rowlands taking it upon himself to sing on a couple tracks as well as features Stephanie Dosen (Massive Attack) who lends her vocals as well.  I honestly prefer when they collaborate with other musicians on their previous releases but still enjoyed listening to tracks like “Escape Velocity” and “Another World”. “Swoon” was a trip in itself that I could not help but tag along with.

Heavy on the synthesizers and easing back on the drum machines throughout make for a very chill album to listen to.  This is one of those types of albums I can see myself not growing tired of anytime soon.  For those of you out there that still has a soft spot for the duo who hit the charts with “Block Rocking Beats” back in the day don’t hesitate to pick up Further.  The duo still has it and has dropped one great album to dance the night away to or even just sit back and get lost in.

J. Tillman – Singing Ax

Beautiful is just one of the many words that can be used to describe J. Tillman‘s latest release Singing Ax. Not just a member of Fleet Foxes, the folk artist has been very involved in recording material with others as well as himself since around 2004.  His latest offering is a vinyl only release that was recorded by Tillman almost entirely by himself in just three days.  The result is a calm yet captivating collection of songs that couple compliment any campfire gathering or just a quiet afternoon of solitude.

Opening track “Three Sisters” pretty much set the bar up high for the entire album for me.  While listening to TIllman’s singing I could only anticipate on what he was going to sing next and patiently waited the story, backed by acoustic guitar playing and drum machine, to unfold.  “Diamondback” continued with a calm retreat of a pleasant tale that had me closing my eyes and absorbing the intimate song.  In fact I found myself doing that a lot while listening to Singing Ax.  Later on I was treated to the album ending “A Seat At The Table” a song, to me, that almost was a musical rendition of a storm rolling in complete with thundering drumming towards the end of the track.

Tillman dropped an amazing album that barely carried any further supplement aside from his singing and acoustic guitar.  Honestly nothing more was needed as the folk chill release was presented perfectly.  I can only imagine what a live performance would entail.  Luckily for me he is touring with Phosphorescent and is making a stop in Cleveland in just a short couple of weeks.  Fans of Nick Drake and even a younger Neil Young I think will really enjoy this album as well as anyone out there that is just looking for a musical form of relaxation.

Folk, Music, New Release, Punk, Review, Rock, Solo

Sundowner – We Chase The Waves – CD Review

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A sundowner can be a lot of things (a car, drink, plane, type of wind), but in this case the Sundowner I am referring to is an amazing solo project by Chris McCaughan, the guitarist and vocalist of punk act The Lawrence Arms.  

We Chase The Waves is Sundowner’s second album and like the first, it is far from punk rock and more of a brush with folk music that brings forth good moods and instant sing alongs.  Recently dropping on Asian Man Records, We Chase The Waves might just be the album that gets me through the rest of the summer.

Starting as a side project, McCaughan wrote a few songs in his free time and played intimate shows around the Chicago area taking the moniker Sundowner.  With help from fellow band mates and friends the project turned into a band of sorts with Sundowner’s debut being released in the spring of 2007 on Red Scare Records.  Just three years later McCaughan and friends decided for a follow-up and recorded We Chase The Wave in their homes, literally, in just eight months.

Passionate and compelling are the two words that describe McCaughan’s wiring styles on the CD.  The guy is a natural storyteller and just has a way with words. From the moment “In The Flicker” started off the album I was beyond mesmerized.  The song was nothing more than an acoustic jam amongst friends but I was addicted, I wanted more, and before I knew it the ten track album was wrapping up.

Tracks like “As The Crow Flies” impressed the hell out of me even though the song was nothing over the ordinary.  The way the song presented itself to the listener, told the story, and ended it on a positive note not only begged for another listen but might have very well inspired a certain someone typing out this review…

“Baseball’s Sad Lexicon” took words from the 1910 poem of the same title by Franklin Pierce Adams telling the tale of the Cubs succeeding over the Giants thanks to a game winning double play (the only way I ever would have known this was by reading the CD insert and Google).  As an ode to McCaughan’s beloved Chicago Cubs he did a great job rendition of the classic poem.

“Mouth Of A Tiger” was a stern and ever so low opinionated track with lyrics like “I’m as lucky as a funeral” and “I’m not looking at the glass half full”.  I adored the singing style on the song match up with the acoustic and lap steel guitar playing.  Full of everyday truth and plain old honest opinions, the song begged to be played on repeat.

We Chase The Waves was an amazing start to finish album with no lulls in between.  McCaughan nails it dead on with his catchy melodies and fine storytelling that will grow on you regardless if you are a fan of him, The Lawrence Arms, or not.  Don’t look at Sundowner as a side project by a punk rock guy, look at it as a talented musician who has created something that more people need to know about.

Cleveland, Festival, Good Times, Live Shows, Metal, Music, Photography, Punk, Review, Rock, The Awesome

The 2010 Vans Warped Tour (well some of it…) – Cleveland, OH – 07/08/10

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It’s no lie, the Vans Warped Tour is the longest running traveling festival of all time.  The punk rock summer camp has been going strong for 15 years now and once again has shown no signs of quitting any time soon.  I am sure it is safe to say that Kevin Lyman, the Warped Tour founder, has no intention what so ever of shutting down his vision that has brought bands and fans together yearly all over North America.

The festival for myself has been more or less a ritual over the past 15 years.  I have gone with my friends to Warped Tour almost every summer since I was a little 18 year old punk kid without a care in the world.  Some of my best memories come from spending hours in intense heat watching bands I love with others who share the same interest.  I have written about many of those memories last year so I am not going to repeat myself but I will say that “Eiffel Tower” and “FAFGAD” will always bring a smile to my face when one of my friends happens to bring them up.

Now I will admit that last year I announced my retirement to the Warped Tour.  At the time I was serious and felt it right to stop going while I was still having a good time.  I stood by my decision and was ok with it.  After going to the Warped Tour for 14 years I decided I saw all the bands I could ever want to see and just did not have it in my anymore to continue going.

Well I lied.  Sort of…

I just came out of retirement early and it was all because of a little Californian band called Face To Face.  The second I found out that they reunited and were playing the 2010 Warped Tour I had no choice but to go again.  Can you blame me?

So yes, I am a liar like Henry Rollins.  Oh well.  I might as well talk about my day at the 15th annual Vans Warped Tour in Cleveland.  I will warn you that there may be some shocking material in this post featuring yours truly.  So without further adieu…my review.

“I’m getting too old for this sh*t” – Me upon entering the gates of the Tower City Amphitheater.

It was ridiculously hot on Thursday as I got my ticket scanned for entry to the festival.  When I say hot I am talking 95 degrees with a heat index of at least 100.  The sun was a bastard and just scorched all who got in it’s way.  I knew to dress accordingly and to bathe in sunscreen so I had no worries about getting sun burnt but I was pretty damn miserable the moment I set foot into the grounds.  I laughed at myself knowing that I might have made a bad choice by coming out of retirement but decided what the hell and chose to make the best of it.

Before I even got started roaming around I wanted to say hello to my cousin who was at the tour as well but not as an attendee.  He was working EMT in one of the first aid tents near the entrance.  When I greeted him there was a young kid in the tent already with a war wound like none other.  Half crying the young music fan was holding a towel to his head and was just covered in blood.

My cousin smiled at me giving indication that he was in for a long day.  He called for an ambulance as the kid needed stitches due to a 2 inch gash in his forehead.  Apparently the kid was watching metalcore act  Confide and fell in the pit – headbutting the ground with his skull.  I felt band for the little guy mostly because I knew that not only was his day cut short but I was also pretty sure his parents would never allow him band to the Warped Tour again.

Every Time I Die was already opening the day by the time I arrived to the main stage.  I was bummed out to see such a killer act play the early slot but that is one thing Warped has always been known for, no set schedules.  In fact one of the reason I missed some of their set was because I had to partake in my little ritual of going to the inflatable schedule and writing down what bands I wanted to see.  Closing with “We’rewolf”, the band thanked Cleveland for coming early to see them and was positive that they had set the level for the day.  I could not agree more.

I took one, count ’em, one lap around the festival grounds.  Why?  It was too freaking hot.  I just wanted to see if there were any interesting merch booths and maybe take in a band I had not heard of before.  I had intentions of spending more time exploring but found myself stopping at the Kia / Kevin Says Stage to see Left Alone.

As they rifled through their set playing songs like “Sad Story” and “I Hate Emo” the kids in the crowd showed their support and early on energy by dancing around as well as forming a circle pit that spun around the soundboard.  Lead singer Elvis Cortez enjoyed the insanity but did call out one long haired kid who clearly was moshing like an a-hole.  Elvis Cortez was also the only original band member on the stage.  What was up with that?

I shook my head in disbelief as I walked past the AP stage and saw apparently a popular Mike Posner on stage swooning hundreds of little girls with his R&B soul music.  All I could think of was what in the hell this guy was doing at a punk fest?  I did not even give him a moment of my time and headed to the main stage where I would remain for the next few hours.

Before staking ground under the giant shade tent I detoured to the Skullcandy stage where a band called AM Taxi was playing to a very small crowd.  The band, who features members of Luck Boys Confusion, put on a good rock show and impressed me with their sound.  I will be checking them out more in the near future.

Alkaline Trio took to the main stage under the shade tent that seemingly served no purpose.  Even if the sun was blocked it was still 100 degrees under that giant tent with no airflow at all.  Even if I was a sweaty mess I still enjoyed AK3’s set including “Cringe”, “Armageddon”, “Dine, Dine My Darling”, “This Addiction”, and also “97”.  There was little movement on stage by the band during their set but overall they put on a good show.

New Jersey metal act The Dillinger Escape Plan were without a doubt the most energetic group I’ve witnessed at the Warped Tour for a while now.  Lead singer Greg Puciato was all over the stage causing fans to go insane and at one point hopped on top of some stacked amps and leaped without a care.  A few songs after, guitarist Jeff Tuttle, who joined singing duties repeated the feat and leap off another stack of amps.  It was an insane performance and one of the highlights of my day.

I had many the option to check out other acts while the bands on the main stage while their sets were being broken down and new ones were set up but I was finding myself overheating.  I consumed more water than I thought my body could handle so it was nothing to do with hydration.  I was just finding myself exhausted to the point where I just was not caring anymore.  It was a scary thought as I used to go to Warped Tours with intentions of just pounding beer after beer but in reality I am getting up there in age so I was not completely shocked.

The whole reason I came out of Warped Tour retirement, also known as Face To Face, finally took to the stage to a much smaller crowd than I had anticipated.  Trever Keith and company sounded absolutely amazing and played the radio friendly “Disconnected” as well as “Walk The Walk”, and one of my favorites “I’m Trying”.  The band announced they were finishing up a new album and even played a cut off of it.

In the middle of their set Trever Keith called out to the huge group of young kids just sitting down under the amphitheater seeking shade who were clearly ignoring his band.  He shouted at them “I just want you to know there was music before 2005. You should go ahead and Google it.”  The true punk rock fans applauded in approval while the kids – just sat there clueless.  It was depressing to see such an influential punk rock band have such a small crowd.  Not letting it affect them they played their hearts out to the older Warped Tour crowd.

A few more people seemed to enter the main stage area before the Bouncing Souls were to take the stage but still it was nothing in comparison to previous years performances from bands like NOFX and Bad Religion as well as the kiddie pop punk act Paramore and (cough, cough) 3OH!3.  It just seemed as if the people who paid the $40+ for a ticket were more interested in the younger acts playing the smaller stages.  Honestly when I thought about it, things were running as designed (bands playing for fans) but I just was hoping for a little more respect for the bands that made the Warped Tour what it is today…  The main stage just did not seem to be the focal point of the day.

The East Coast punkers took to the stage with Dillinger Escape Plan’s Jeff Tuttle who ran all over the stage getting the crowd riled up.  Greg Attonito took things a step further and jumped down from the stage and started singing songs to the fans at a more personable level from the barricade.  Countless kids crowd surfed their way towards Greg Attonito and each time one came close to him he would hold his hand out and pull them closer.

A few songs into their set they  brought out UK act The Exposed to the stage with them to play along.  Seeing members of other bands hit the stage with them through their just screamed how punk rock they really are. The band sounded great and clearly was happy to be playing to all their fans on summer day.  Hearing “The Something Special”, “Lean On Shena”, as well as a handful of other Souls’ songs put a giant smile on my face and at that moment I forgot about the sweltering heat and sang along enjoying every moment.  Ending their set with “True Believer” I could not be happier with what I just saw.  Long live the Souls.

It was about 5 o’clock and there were could other bands I wanted to check out before Andrew WK was to hit the main stage.  I sat there and contemplated which stage I should check out and if a lap around the grounds was in order.  Sum 41 was to play as well as All American Rejects and Polar Bear Club in that 2 hour span so I had plenty of options but chose to do something completely different.

I threw in the towel.

That’s right folks, I gave up.  As happy I was at the end of the Souls’ set my body was pleading with me to get the hell out of dodge and find some air conditioning.  I sat there for at least 10 minutes trying to convince myself that leaving was a good idea.  I knew I was going to miss some of these bands and most of all would be missing puke rocker Andrew WK, someone I have admired for years.

I finally grabbed my gear and headed for the exit.  As much as I wanted to see Andrew WK, I knew those 2 hours until showtime were going to kill me.  It just made sense to head out and hope the puke rocker comes back to Cleveland another day.  My few friends who were there were not even bothered by the fact of me bailing, some of them followed my lead.

I do not think I will be returning to the Warped Tour ever again.  This is my letter of resignation.  It is not because I have issues with the way the festival is running, it’s more or less issues with myself.  Feeling like I’ve been caught on fire for an entire day is just not my idea of fun.  The kids, on the other hand, love it and I hope they continue to do so for another 15 years.

If by some chance next year has an amazing line up that can not be missed then maybe, just maybe, I will succumb.  Until then I am done.  I just do not have it in me anymore to do a day long festival on asphalt.  I’m still all for festivals and hope to hit Bonnaroo again but as far as the Warped Tour goes, I am out.  Fifteen years is good enough for me.

This years line-up was a little weak for me personally because I just had not heard of any of the bands on the roster or had no interest.  Again, that is just my opinion because I saw a whole lot of other music fans in their glory.  I looked at them and remember the times when I was younger and was just overwhelmed.  As for myself I only cared about eight bands total and had no intentions of exploring for more music.

So yeah, this is a half assed review since I bailed and decided to get pizza and go record shopping.  Well, that is kind of punk rock if you think about it too right?

So am I getting too old for this sh*t?  Not really.  Mentally I am with everyone else, physically on the other hand is a different story and I know when my limits have been met.  Face it, the Warped Tour is for the kids.  I was there once…

00's, 90's, Cleveland, Good Times, Live Shows, Music, Music Video, Personal Entry, Rap, Review, Rock

Let’s Talk About 311

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So last night thanks to Cleveland.com I got to attend the 311 show at the Time Warner Amphitheater VIP style.  I was not planning on going at all but last week I “re-tweeted” a Twitter post that Cleveland.com put up for a chance to win a pair of tickets to the Unity Tour 2010 and I thought to myself “why not?”

A day later I got a message saying I won the tickets.  I was stoked.  I mean why wouldn’t I be?  Free is good these days plus I got to rendezvous with an old musical friend of mine.

311 and I go way back.  I am not trying to sound like one of those music trendy scraps out there who just say random things to impress others.  311 and I have been down (no pun intended) since I was in high school.  I have seen them many times live, owned countless overpriced bootlegs, was a member of their fan club before the internet existed, and even was knocked out at once of their shows at the Cleveland Agora.

I vaguely remember what happened but will always remember the incident.  I know I was in the pit of that show when a size 12 combat boot slammed into my head knocking me the hell out.  The next thing I remembered was my pal Philippe asking me if I was ok.  I think I said yes but I was more confused over anything trying to figure out why I was not in the pit anymore.  Apparently Philippe dragged the knocked out me from the pit and into an alley through some emergency doors.  He told me that I looked at him, smiled, and ran back into the pit.  And I wonder why my body hurts so much these days… (Additional note: I bought a 311 work shirt at that show and I still wear it to this day)

High school ragers were not only fueled by cheaply processed beer but also Grassroots and Music.  I remember when their self titled album came out in 95 my friends and I freaked out and basically listened to the album on repeat until the cassette wore out.  Yes, cassette.

We wore 311 apparel, did our best to emulate Nick Hexum and S.A. Martinez (sounds terrible when thinking about it these days), and might have stolen room number signs from various secret locations that said, you guessed it, 311.

In 96 Enlarged To Show Detail was released on VHS and we had competitions on who could watch it the most in a three month period.  I made it to 278 if I am not mistaken and my pal Brent surpassed 301 times.  We were addicted.

By 1999 though most of us friends were growing up, attending college, or maybe even raising babies.  311’s music style was growing up too and to be perfectly honest I lost interest in them.  I stopped wearing the shirts, the CDs collected dust, and I moved on to other things. I never stopped liking what they had done in the past but I just could not get into their material after Transistor (minus the cover of The Cure song of course).  311 kept putting out albums and touring obviously but I just did not care, that is, until those tickets I won reached my hands.

***Time Out – As I am typing this I can not help but grab my copy of 311’s self-titled record (yes, record) and throw it on the turntable…

It was a unseasonably chill night in Cleveland as I arrived to the venue.  Parking the car and walking the lot all I saw was kids who were either in college or never lost the college mentality pre-game it with beer pong games and jello shots.  Not into that anymore I walked past them and aimed towards the VIP entrance.

For the record, VIP is not that much better.  There is a little bar to the side that still charges you $42 for a beer as well as a private bathroom that some other VIP drunk ass will most likely vomit all over in (it happened later in the night).

After making it through a terrible set from a shirtless, shoeless, surfer boy band called Pepper I found out that the Offspring were not even playing the Cleveland stop of the 2010 Unity Tour.  I was bummed out as they were another band I used to really like in the 90’s but that is a whole other story.

While waiting for the headliner to take the stage I glanced at my ticket stub and realized I had box sets.  VIP and box seats?  That was a pretty good prize if you ask me…  I took my place in the box sets, which are not that good at all if you ask me, and took in a 311 show.

The boys, who are all almost 40 with the exception of P-Nut (36), took the stage just as the sun was saying goodbye to the day.  They all looked very youthful as they did 15 years ago and almost the same except this time there was no bleach blond hair.  More importantly they sounded amazing and I am not just saying that as well as were genuinely excited to be on stage.  They were on point for all of their songs regardless if I knew them or not and were all about the crowd.

It was not until 5 songs in when the band dished out “Taiyed” that I started feeling like I actually belonged there.  Immediately after they dropped into “Plain” followed by their first chart breaking hit “Down”.  During those songs I started having non-drug induced flashbacks of the times I previously mentioned.

Shortly after all the members of the band minus Chad Sexton left the stage so he could beat on the skins for a while.  He put on an amazing drum solo that lasted at least 15 minutes and to make the little segment cause for more applaud, the rest of the band came back out and joined in on a synchronized drum circle of sorts.  Kind of jam band if you ask me, but it sounded great and all the fans loved it.

The remainder of the night again consisted of a good blend of older and newer material.  I do not think at any time did I not see movement in the huge crowd.  Song after song people were jumping around having a good old time just enjoying themselves.  The band really pushed forth a solid set and delivered just as good of a show as when I saw them almost 15 years ago live.

This was a shirt at the merch booth and I am kicking myself in the ass for not buying one...

During that show all these juvenile memories of my friends and our love for 311 hit me.  I could not help but shoot a few texts to a couple of the guys who I remain in touch with letting them know where I was that night.  It was a good night indeed thanks to a one time unknown Omaha act that has been rocking out since 1988.

311 Setlist:
Jackpot
Sick Tight
Mix It Up
Freeze Time
Taiyed
Plain
Down
Hostile Apostle
Brodels
Applied Science
All Mixed Up
Livin’ & Rockin’
Come Original
Eons
Hey You
Never Ending Summer
Nix Hex
(bass solo)
Off Beat Bare Ass
Amber
Creatures (For a While)
Encore:
Beautiful Disaster
F*ck the Bullshit

Download This!, Music, Music Video, New Release, Punk, Review, Rock, Ska

The Flatliners – Cavalcade – CD Review

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The Flatliners are about as punk as they come and I am not just saying that.  The foursome who hail from Toronto, Ontario does not care about the fame and fortune so many bands seek these days.  They prefer touring in vans, playing in dive bars, and sleeping on floors over lathering in luxury.  Recently releasing their third full length entitled Cavalcade on Fat Wreck Chords, the band continues on with their seven year career with just one thing in mind – play punk rock music because they want to.

Starting off as a ska-punk act, the band has matured into a more melodic punk rock outfit that clearly is represented on Cavalcade.  The powerful opening track “The Calming Collection” starts off album and introduces the listener to what is to be expected throughout the twelve song release.  “Carry The Banner” continues with a forceful track that was heavy on the rock with gritty group singing throughout.  Their sound is more likable than ever and just by hearing one song I knew I was in for something good.  I also got a kick out of the opening line sampled from the 80’s metal spoof band Bad News.

Bordering on pop-punk, “Bleed” is exactly what you would expect in a punk anthem sing-a-long with plenty of opportunities for the listeners to get involved.  It was the best track on the album i my opinion hands down.   “He Was A Jazz Man” reached back to their ska-punk roots and sounded just amazing.  “Shithawks” followed fast and furious with great harmony.  Then there was “Monumental” which laid off the punk for a moment producing a great rock track I really enjoyed as well.

Proving that they have no solid genre of punk “Filthy Habits” kept a heavier sound with plenty of screaming and authority.  “Count Your Bruises” stood out over most tracks with a much more mature style musically and lyrically.  I was impressed thoroughly with the whole album that displays how mature this young band has become.

The Flatliners have already been going places and will continue to do so based upon their way of life and ability to rock out.  Following their dream one day at a time, the band seems to always be on tour and not to mention continues to release solid punk rock efforts in a timely manner.  Fans of the real punk rock, not that fashionable crap, need to have the Flatliners on their playlist.  This release holds high as one my favorite punk releases so far this year and once you listen to it you just might agree.

DOWNLOAD THIS! – The Flatliners – “Carry The Banner”
DOWNLOAD THIS! – The Flatliners – “Monumental”